{"id":11258,"date":"2025-08-16T16:23:06","date_gmt":"2025-08-16T14:23:06","guid":{"rendered":"https:\/\/www.artso.org\/?p=11258"},"modified":"2026-08-16T16:28:27","modified_gmt":"2026-08-16T14:28:27","slug":"sculpture-nicolas-alquin-ville-de-bagneux","status":"publish","type":"post","link":"https:\/\/www.artso.org\/index.php\/2025\/08\/16\/sculpture-nicolas-alquin-ville-de-bagneux\/","title":{"rendered":"Sculpture \/  Nicolas Alquin <br> <br>Ville de Bagneux"},"content":{"rendered":"\r\n<h1 class=\"has-text-align-center has-small-font-size\" style=\"text-align: center;\"><strong>Renaissance de <em>Solitude<\/em> \u00e0 Bagneux<\/strong><\/h1>\r\n\r\n\r\n\r\n\r\n\r\n<p class=\"wp-block-paragraph\" style=\"text-align: center;\">L\u2019\u0153uvre <strong>Solitude<\/strong>, r\u00e9alis\u00e9e par <strong>Nicolas Alquin<\/strong>, a retrouv\u00e9 toute sa force symbolique apr\u00e8s sa restauration \u00e0 <strong>Bagneux<\/strong>. Gravement endommag\u00e9e lors d\u2019un incendie en 2023, cette sculpture monumentale \u2014 hommage \u00e0 la Mul\u00e2tresse Solitude et \u00e0 la m\u00e9moire de l\u2019esclavage \u2014 a \u00e9t\u00e9 patiemment restaur\u00e9e par l\u2019artiste en lien avec l\u2019agence Art\u2019So Compos\u00e9e de totems en bois et en m\u00e9tal, l\u2019\u0153uvre a fait l\u2019objet d\u2019un travail minutieux visant \u00e0 effacer les stigmates du feu sans en alt\u00e9rer l\u2019esprit ni la puissance. Pr\u00e9sent\u00e9e de nouveau au public lors de la comm\u00e9moration du 10 mai, <em>Solitude<\/em> se dresse aujourd\u2019hui comme un <strong>symbole de m\u00e9moire, de r\u00e9silience et de transmission<\/strong>.<\/p>\r\n<p>&nbsp;<\/p>\r\n<p><iframe title=\"Vid\u00e9o : Renaissance de Solitude \u00e0 Bagneux\" width=\"560\" height=\"315\" data-src=\"https:\/\/www.youtube.com\/embed\/45DcrPBmO5g?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" data-load-mode=\"1\"><\/iframe><\/p>\r\n\r\n\r\n\r\n<h3 class=\"has-text-align-center\"><strong>Histoire du projet<\/strong><\/h3>\r\n<p class=\"wp-block-paragraph\">L\u2019\u0153uvre <strong>Solitude<\/strong> est un <strong>monument public sculpt\u00e9 par Nicolas Alquin<\/strong>, \u00e9rig\u00e9 \u00e0 <strong>Bagneux (Hauts-de-Seine)<\/strong> en 2007. Elle rend hommage \u00e0 <strong>la Mul\u00e2tresse Solitude<\/strong>, figure historique de la r\u00e9sistance \u00e0 la r\u00e9pression du r\u00e9tablissement de l\u2019esclavage en Guadeloupe en 1802, et symbolise la <strong>m\u00e9moire de l\u2019esclavage et de la lutte pour la libert\u00e9<\/strong>. La sculpture, compos\u00e9e de <strong>trois totems<\/strong> (deux en bois d\u2019iroko provenant d\u2019Afrique et un en fonte m\u00e9tallique), repr\u00e9sente d\u2019une part la pr\u00e9sence humaine et, d\u2019autre part, le souvenir de l\u2019oppression et de l\u2019\u00e9mancipation. <a href=\"https:\/\/memoire-esclavage.org\/monument-hommage-la-mulatresse-solitude?utm_source=chatgpt.com\">memoire-esclavage.org<\/a><\/p>\r\n\r\n\r\n\r\n<p><img decoding=\"async\" class=\"aligncenter wp-image-11259 size-large lazyload\" data-src=\"https:\/\/www.artso.org\/wp-content\/uploads\/2026\/08\/Capture-decran-2025-12-29-195843-1024x540.jpg\" alt=\"\" width=\"560\" height=\"295\" data-srcset=\"https:\/\/www.artso.org\/wp-content\/uploads\/2026\/08\/Capture-decran-2025-12-29-195843-1024x540.jpg 1024w, https:\/\/www.artso.org\/wp-content\/uploads\/2026\/08\/Capture-decran-2025-12-29-195843-300x158.jpg 300w, https:\/\/www.artso.org\/wp-content\/uploads\/2026\/08\/Capture-decran-2025-12-29-195843-768x405.jpg 768w, https:\/\/www.artso.org\/wp-content\/uploads\/2026\/08\/Capture-decran-2025-12-29-195843-1200x632.jpg 1200w, https:\/\/www.artso.org\/wp-content\/uploads\/2026\/08\/Capture-decran-2025-12-29-195843.jpg 1207w\" data-sizes=\"(max-width: 560px) 100vw, 560px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 560px; --smush-placeholder-aspect-ratio: 560\/295;\" \/><\/p>\r\n\r\n\r\n\r\n<div class=\"wp-block-group alignfull\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\r\n\r\n<img decoding=\"async\" class=\"aligncenter wp-image-11260 size-full lazyload\" data-src=\"https:\/\/www.artso.org\/wp-content\/uploads\/2026\/08\/Capture-decran-2025-12-29-200228.jpg\" alt=\"\" width=\"795\" height=\"642\" data-srcset=\"https:\/\/www.artso.org\/wp-content\/uploads\/2026\/08\/Capture-decran-2025-12-29-200228.jpg 795w, https:\/\/www.artso.org\/wp-content\/uploads\/2026\/08\/Capture-decran-2025-12-29-200228-300x242.jpg 300w, https:\/\/www.artso.org\/wp-content\/uploads\/2026\/08\/Capture-decran-2025-12-29-200228-768x620.jpg 768w\" data-sizes=\"(max-width: 795px) 100vw, 795px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 795px; --smush-placeholder-aspect-ratio: 795\/642;\" \/><\/div><\/div>\r\n\r\n\r\n\r\n<h4><strong>La restauration en 2025<\/strong><\/h4>\r\n\r\n\r\n\r\n<p class=\"wp-block-paragraph\">Face \u00e0 cette destruction, la <strong>ville de Bagneux a missionn\u00e9 Nicolas Alquin lui-m\u00eame pour restaurer l\u2019\u0153uvre<\/strong>, avec l\u2019aide de son fils Marc. Voici ce qu\u2019il faut retenir : <strong>Atelier et travail<\/strong><\/p>\r\n<ul>\r\n<li>La sculpture a \u00e9t\u00e9 <strong>retir\u00e9e de son emplacement (rond-point du Docteur Schweitzer)<\/strong> pour \u00eatre <strong>restaur\u00e9e dans l\u2019atelier de l\u2019artiste<\/strong> \u00e0 Bagneux.<\/li>\r\n<li>L\u2019artiste et son fils ont travaill\u00e9 <strong>intens\u00e9ment pendant plusieurs semaines<\/strong> pour r\u00e9habiliter la structure.<\/li>\r\n<li>Le bois pr\u00e9cieux d\u2019origine a \u00e9t\u00e9 r\u00e9nov\u00e9 autant que possible, et les \u00e9l\u00e9ments m\u00e9talliques ont \u00e9t\u00e9 trait\u00e9s pour effacer les stigmates du feu.<\/li>\r\n<\/ul>\r\n<h4><strong>Pr\u00e9sentation publique<\/strong><\/h4>\r\n<p>La sculpture restaur\u00e9e a \u00e9t\u00e9 <strong>pr\u00e9sent\u00e9e lors de la comm\u00e9moration du 10 mai 2025<\/strong> \u00e0 Bagneux, \u00e0 l\u2019occasion de la <strong>Journ\u00e9e nationale des m\u00e9moires de la traite, de l\u2019esclavage et de leur abolition<\/strong> \u2014 date symbolique du travail de m\u00e9moire autour de l\u2019esclavage. <strong>D\u00e9claration de l\u2019artiste<\/strong> Dans des interviews, Alquin a exprim\u00e9 la <strong>joie et l\u2019\u00e9motion de voir <em>Solitude<\/em> debout de nouveau<\/strong>, soulignant que <strong>\u00ab une bonne restauration ne se voit pas \u00bb,<\/strong> mettant en avant la subtilit\u00e9 et la finesse du travail accompli pour effacer les traces de l\u2019incendie sans d\u00e9naturer l\u2019\u0153uvre. <strong>Un symbole de m\u00e9moire et de r\u00e9silience<\/strong> Au-del\u00e0 de la restauration mat\u00e9rielle, <em>Solitude<\/em> repr\u00e9sente un <strong>acte de m\u00e9moire collective<\/strong>, en particulier dans le contexte des comm\u00e9morations du 10 mai, et une <strong>affirmation contre l\u2019oubli, le racisme et les violences<\/strong>. La r\u00e9habilitation de l\u2019\u0153uvre apr\u00e8s sa destruction a ainsi \u00e9t\u00e9 per\u00e7ue comme un <strong>acte fort de r\u00e9silience<\/strong> pour la communaut\u00e9 et pour l\u2019artiste lui-m\u00eame.<\/p>\r\n\r\n\r\n<hr class=\"wp-block-separator has-css-opacity is-style-wide\" \/>\r\n\r\n\r\n<figure class=\"wp-block-gallery aligncenter has-nested-images columns-2 is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\r\n\r\n\r\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-id=\"3791\" class=\"wp-image-751 size-medium aligncenter lazyload\" data-src=\"https:\/\/www.artso.org\/wp-content\/uploads\/2021\/01\/Bagneux_92.svg_-300x81.png\" alt=\"\" width=\"300\" height=\"81\" data-srcset=\"https:\/\/www.artso.org\/wp-content\/uploads\/2021\/01\/Bagneux_92.svg_-300x81.png 300w, https:\/\/www.artso.org\/wp-content\/uploads\/2021\/01\/Bagneux_92.svg_-1024x275.png 1024w, https:\/\/www.artso.org\/wp-content\/uploads\/2021\/01\/Bagneux_92.svg_-768x206.png 768w, https:\/\/www.artso.org\/wp-content\/uploads\/2021\/01\/Bagneux_92.svg_-1200x323.png 1200w, https:\/\/www.artso.org\/wp-content\/uploads\/2021\/01\/Bagneux_92.svg_.png 1280w\" data-sizes=\"(max-width: 300px) 100vw, 300px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 300px; --smush-placeholder-aspect-ratio: 300\/81;\" \/><\/figure>\r\n<\/figure>\r\n\r\n\r\n<hr class=\"wp-block-separator has-css-opacity\" \/>","protected":false},"excerpt":{"rendered":"<p>Renaissance de Solitude \u00e0 Bagneux L\u2019\u0153uvre Solitude, r\u00e9alis\u00e9e par Nicolas Alquin, a retrouv\u00e9 toute sa force symbolique apr\u00e8s sa restauration \u00e0 Bagneux. Gravement endommag\u00e9e lors d\u2019un incendie en 2023, cette sculpture monumentale \u2014 hommage \u00e0 la Mul\u00e2tresse Solitude et \u00e0 la m\u00e9moire de l\u2019esclavage \u2014 a \u00e9t\u00e9 patiemment restaur\u00e9e par l\u2019artiste en lien avec l\u2019agence [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":11259,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[25,10],"tags":[],"class_list":["post-11258","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-projet","category-fresque","has-thumbnail"],"_links":{"self":[{"href":"https:\/\/www.artso.org\/index.php\/wp-json\/wp\/v2\/posts\/11258","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artso.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artso.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artso.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artso.org\/index.php\/wp-json\/wp\/v2\/comments?post=11258"}],"version-history":[{"count":4,"href":"https:\/\/www.artso.org\/index.php\/wp-json\/wp\/v2\/posts\/11258\/revisions"}],"predecessor-version":[{"id":11264,"href":"https:\/\/www.artso.org\/index.php\/wp-json\/wp\/v2\/posts\/11258\/revisions\/11264"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artso.org\/index.php\/wp-json\/wp\/v2\/media\/11259"}],"wp:attachment":[{"href":"https:\/\/www.artso.org\/index.php\/wp-json\/wp\/v2\/media?parent=11258"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artso.org\/index.php\/wp-json\/wp\/v2\/categories?post=11258"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artso.org\/index.php\/wp-json\/wp\/v2\/tags?post=11258"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}